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Are
you here?
A multimedia installation about intimacy. An innovative,
sensorial theatre created for one spectator. A theatre
installation in which odours, sound, image and temperature
changes provide an all-round experience. The virtual reality
of are you here? has been
created by blockflutist/electronics specialist Jorge Isaac
and composer Roderik de Man.
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PANOPTICON
Interdisciplinary performance for 3 dancers, 1 musician,
video & live electronics.Music
by Roderik de Man and performed by Jorge Isaac , choreography
Jack Gallaguer, dance company Bodies Anonymous, scenography
UR architects, concept Jorge Isaac & Nikolaas Vande
Keere . |
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MARIONETTE
Musictheatre & Electronics production. New works by:
Roderik De Man, Marko Ciciliani, Jos Zwaanenburg
Performed by: Jorge Isaac (blockflutes & multimedia),
Marko Ciciliani (no-input-mixer & live electronics).
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O
M O N I A
The composers Roderik de Man and Arnoud Noordegraaf have
written one-man-art musictheatre works for Jorge Isaac.
OMONIA (the Greek word for "each-others compliment",
"complete") is a multilingual unification of sound
and visual media through which the spectator is drawn to
observe in various layers. The three pieces are presented
in the order:
1) "Voix égales" (Roderik de Man, 2005),
2) "STRUNG" (Arnoud Noordegraaf, 2005), and
3) "Mensa Secunda" -a condensed version for one
musician and video- (Roderik de Man, 2005).
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Mensa
Secunda
A circular story of obsession and transformation. Four characters
–Apicius, The Hired Chef and the slaves- , music,
dance, space and video develop the plot. The story follows
the obsession of a chef, the musician character, and its
desperate search for the perfect recipe.
The music is built in three layers: tape music is the basis
and times the whole piece, live blokflute playing explores
all the range and textual possibilities of the instrument
with remarkable ease, and live-electronic sound sample are
triggered by a dancer –the Hired chef. The dancers’
movements evoke an organic, animal way of being. The two
slaves characters creep across the stage and are as much
actors as dancers.
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Sensorial
Acts
Een praktijkgeoriënteerd onderzoek naar het gebruik
van beeld, geur en temperatuursverschil als muzikale parameters
in een live performance context. In het onderzoek worden
interactieve computertechnieken gebruikt die de fysicaliteit
van de musicus, samen met de klanken van het instrumentarium,
hem toelaat de muzikale en visuele omgeving waarin hij zich
bevindt te genereren en beïnvloeden, alsmede geuren
en temperaturen te bepalen.
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Voix
égales
A practice-based research on the musician’s corporeality
and theatricality in a live performance context, in which
New Media collaborates with his craft/corporeality, mediating
sounds and actions to create a meaningful (performance)
space.
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